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Asphalt Jungle, released in 150 was an independent production venture directed by John Huston.The plot revolves around a robbery masterminded by Riedenschnieider (Sam Jaffe) ).The job is bankrolled by bankrupt lawyer Emmerich (Louis Calhern).The other main characters are Ciavelli (Anthony Caruso), Cobby (Marc Lawrence), Gus (James Whitmore) and Dix (Sterling Hayden).
It is my proposal that the film is representative of a move away from the pre-war movies of the 10s, such as Little Caesar and The Public Enemy, in various ways.
In the film city is portrayed as an anonymous one.It is non-specific, as opposed to the naming of a particular city such as Chicago or New York.This takes away the connotations of pre-war gangsters in cities such as Chicago and New York.The usual depiction of ethnic ghettos spawning gangsters because of their social and financial standing are not depicted in Asphalt Jungle
The wide-ranging background of the characters in the film states this point further.The film does not try to comment on the plight of the ethnic working classes; rather it depicts a city whereby people are drawn together for the simple reason of crime and making money.
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This is a marked shift from pre-war films such as Little Caesar and The Public Enemy, both of which are typical of gangster films of the time in that they focus on immigrant's struggles to gain a valid and accepted foot in American society. Consequently they turn their hands to crime to make a living and protect their own community.In Scarface when James Cagney speaks 'his accent frames his desire for success within a history of struggle over national identity'.
Where as gangster films of the past focused on the typical rise and fall of the criminal.Asphalt Jungle is different in this sense.We are thrown into the middle of the characters lives and although we do find out about some of their past and their hopes for the future, the past seems to be rather irrelevant as to how they all managed to become involved with one another.Films that preceded it such as Little Caesar and The Public Enemy highlighted the early events of the characters lives that shaped their path into a life of crime.
Dix one, of the main characters, is not a gangster in the typical sense that audiences had come to expect from gangster films.He displays traits and characterisations that are not emblematic of the typical gangster audiences had seen depicted on screen previously.He is not a leader; rather he is foot soldier who has very little ambition typical of that depicted in the gangster film.He doesn't wish to rise to the top or gain immense financial power.Rather he simply wants to make enough money to go home to Kentucky in the country.
His dream of moving back home and living the life that he wants is exactly that a dream.The reality is that the city is drawing him in, becoming his life.This city / country dream highlights how the cities of the time have grown and sucked citizens in from the surrounding countryside looking for work.It would seem that living in the city is becoming the reality and living in the country a dream.It is not a coincidence that Dix occupies the lowest position in the gang.He is a country farm boy reluctant to stay in the city yearning to move back home.He cares little for the gangster way of life and sees it as just a means to an end.Dix is quite obviously not a gangster as his nature is to trusting.In a world where double crossing is the norm Dix is far too honest.As such the other characters see him as simply hired muscle.
This said Dix comes across as a likeable criminal.He is not pathologically violent, he is not greedy and would not do anything possible to gain for his own sake.He is honest who has simple desires and needs.
The groups mix of races, ages and backgrounds emphases that this is a group that not born out of a community spirit but rather that they are a group of misfits thrown together in the pursuit of survival and financial gain.
Above all the point that the film raises is that crime is not the sole act of the ghettoised working classes.It is an act that is spread throughout society.Emmerich shows this most clearly in the film.As a lawyer you would expect him to be the most honest of all the characters however, it is he who is the mastermind behind the bank job and he who attempts to double cross those involved.Previously crime was located in a particular social space in the pre-war gangster pictures.In the Asphalt Jungle everywhere is depicted as a possible space for crime, 'even the baroque confines of the lawyer's mansion are not immune'.
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